Sequential’s Pro 3 is a new synth, while the others clone – so how does it stack up?
One person who isn’t just copying Dave Smith is – Dave Smith. Sequential are back with the new Pro-3, a flagship mono/paraphonic synth instrument.
Okay, to be fair – a Sequential synth (or Dave Smith Instruments synth) is always going to give you certain predictable elements, if in different combinations. But the Pro-3 at least continues the evolution and refinement of that line. And it offers an extraordinary amount of depth as a result – in the sense that you could really just play with this thing a … long … time … happily so …
The Pro 3 is right in line with the Pro line – the Pro 1 and Pro 2 monosynths, that is – but with some new ideas thrown into the mix. With that in mind, let’s first talk about what just went away – the Pro 2, the previous flagship monosynth. And in some ways, the Pro 2 is likely to be missed – for its uniquely accessible oscillators and architecture, and its 4-voice paraphonic mode.
The Pro 3 is pretty irresistible, though, in that it does three things:
- Builds a new architecture around three of everything – three oscillators (2 analog + 1 wavetable), three LFOs, and three filters to choose from to keep it fresh.
- Acts as a central workstation, with a powerful front panel sequencer (building on the Pro-2) and now CV integration so it fits in with modular.
- Costs just US$1599.
And that last one is a big deal. A producer can easily save up for this one instrument and wind up with a massively flexible powerhouse for sound design, with sequencing built in. Sequential’s stuff has managed to get more powerful but less expensive, and yet you still get something that feels luxurious, boutique, and – well, personal, in a way a big mass-produced thing might not.
Dual digital effects – again, you can do a whole lot right on this one keyboard, but without menu diving as you might on a digital workstation
A 32-slot mod matrix for loads of modulation
Analog integration – four CV ins, four outputs, dedicated gate output – all running at audio rate (take that, MIDI!) and all assignable from that powerful mod matrix
Classic Sequential analog oscillators, times two
One wavetable oscillator for the edgy digital spice when you need it, for the third oscillator – 32 tables of 16 waves each, with wave morphing, so a lot of spice
Three vintage filters to choose from – 4-pole low pass (a la Prophet-6), 2-pole state-variable (a la Oberheim OB-6) for continuously moving between low-pass + notch + high-pass,
Analog distortion, Drive control on the filters
And all of this combines with a sequencer, included on the keyboard so the workflow is integrated. That includes ratcheting, input via both real-time and step-input, and works with both MIDI and CV (and analog and MIDI clock, too).
Plus, the sequencer integrates with the mod matrix – noticing the pattern here? That justifies the inclusion of a sequencer on the keyboard, because then integration is already done for you. Instead of spending your time programming, or working to assign your sequencer to your instrument, you can get right into playing and sequencing.
(I say all of this because – I just read some concerns from a colleague, and this is essentially my answer.)
So sure, you get 3-voice paraphonic mode instead of 4, but as deep and wild as the Pro-2 was, the Pro-3 seems deeper and wilder.
Heck, in this giant wave of polysynths, the Pro-3 is a pretty damn good argument for getting back to monosynths again.
And you know the package will be plenty luxe, as per usual Sequential standards. If you want it to be even more so, you can spring for the Special Edition, for US$2099. That includes a tilt-up control panel and “full, premium-grade walnut trim.” I’m sure it’ll be a collectors’ item, but I’m tempted to just buy a stand to tilt this up and then go with a nice bottle of bourbon while I invite friends over for some Pro-3 jams, you know?
A little birdie told me some close friends of CDM might have worked on this beautiful beast, and I know it’ll be at NAMM, so I will send our espionage network out to learn more.
But even in this deluge of synths, the Pro-3 looks really lovely.
More on the somewhat complicated endless stream of DSI/Sequential instruments can be perused in the PDF chart they put together. Basically, if you want a really cheap 4-voice, find a used MOPHO X4. The Pro-2 was all digital oscillators, but you did get more of them – 4x + 1 sub oscillator, meaning a used Pro-2 should still be on your radar if you’re thinking Pro-3. And then there are the very excellent polyphonic Prophets.
More at Sequential (formerly DSI aka Dave Smith Instruments):
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